kerry rawlinson – Afterburn

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kerry rawlinson
Afterburn

kerry rawlinson writes: ‘My creative leaning is expressionistic, exposing the battle lines of people vs place; the edges & intersects of nature/construct, culture/chaos, order/anarchy. I photograph with an old Canon DLSR, then dabble with various digital photography tools to develop and move each piece wherever it leads. I never use Photoshop or any other graphic design software, and often enhance my pieces with acrylics or inks.’

kerry rawlinson, Afterburn, photograph, 2022

Jim Ross – Fridays for Future: Ambassadors of Conscience

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Jim Ross
Fridays for Future: Ambassadors of Conscience

Jim Ross writes: ‘I used a Panasonic Lumix camera (an entry-level SLR) from a fifth-row aisle seat, right next to the scrummage of reporters, who piled on top of each other in the aisle to take this photo. The event took place on 16 December 2019 in the Lisner Auditorium at George Washington University in Washington DC. It was sponsored by Amnesty International to honour the 2019 Ambassadors of Conscience, Greta Thunberg and the Fridays for Future Movement.
      The Ambassador of Conscience award is Amnesty’s highest honour. Its purpose is to “celebrate individuals and groups who have furthered the cause of human rights by acting on their conscience, confronting injustice and using their talents to inspire others.” Given annually, it has honoured individuals such as Nelson Mandela, Malala Yousafzai, Joan Baez, Harry Belafonte, and Alicia Keyes. Occasionally, it has honoured movements, such as the Indigenous rights movement in Canada.

Jim Ross, Amnesty International Ambassador of Conscience Award Presentation 2019, photograph, 2019

      Amnesty’s initial intent was to give the 2019 award to Thunberg as the founder of Fridays for Future. However, at her insistence, Amnesty agreed to give the award to Fridays for Future at a more grassroots level. These awards were given simultaneously to Fridays for Future in cities around the globe as Thunberg received her award in Washington DC. Five other American students and one Canadian student received the award on stage alongside Thunberg. Pictured here are Kallan Benson, who was greatly involved in coordinating Fridays for Future in the United States, Thunberg, and Kumi Naidoo, then Secretary-General of Amnesty International.
      Upon receiving the award, Thunberg said: “This award is for all of those millions of people, young people, around the world who together make up the movement called Fridays for Future. All these fearless youth are fighting for their future, a future they should be able to take for granted. But as it looks now, they cannot.”
      My reporting of this event led to a major article, accompanied by 15 photos, in the December 2019 issue of Friends Journal and another in the March 2020 issue of UU World.’   AQ

Gaby Bedetti – Times Square in August

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Gaby Bedetti
Times Square in August

Gaby Bedetti writes: ‘The city is a text. Going to a city offers a reading of the people and environment. At the time of this photo, our family had just stepped out of the theatre after a performance of Hamilton. The liveliness of the performance synced with the liveliness of the crowd gathered to watch people dancing to a boombox. Our intimacy with the performers merged with our connection with the crowd. Like an ukiyo-e painting, the photo invites the viewer to live in the moment of the frame as a part of “the floating world.” This photo was shot with a Canon PowerShot SX130 IS.’

Gaby Bedetti, Times Square in August 2021, photograph, 2021

Jim Hodge – Moth on a Step

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Jim Hodge
Moth on a Step

As with most things in the life of a hypomanic and formally diagnosed ADHD mind, poetry, black & white photography, and music have all acted as balms in my life, grabbing my attention, whispering to my ears and calling on my eyes to slow down, notice and be intentionally present—to momentarily exit the whitewater currents of daily life, to pull the kayak ashore, look downstream, and merely float in the beauty of the world. They are the equivalent of a stop, drop, and roll to extinguish the bonfires of the mind. The photo of a ‘Moth on a Cement Step’, as well as the poem, came to life on the same day, July 3, 2022. This digital photo was taken on an iPhone 5.

Jim Hodge Moth on a Cement Step, photograph, 2022

Edward Lee – Wet Street

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Edward Lee
Wet Street

Edward Lee writes: ‘This picture was taken in Barcelona with an Olympus E-510. I’ve always been attracted to images that contain a multitude of possible stories/interpretations, what may have happened before the picture was taken, what might happen after, what may be happening just outside of the shot.’

Edward Lee, Wet Street, photograph, 2021

Susan E. Lloy – Prospect, Nova Scotia

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Susan E. Lloy
Prospect, Nova Scotia

The ocean is many things to many people, but for me it is home. It’s a dream place I visit, if I’m fortunate, once a year. Prospect is where I hiked with my late father, who sketched and painted this slice of land, where the wild Atlantic spars with the rocky shore. Its wide expanse is where spirits are rejuvenated and worries washed away with each tide.
       When I write fiction settings on the sea, this majestic point is where I imagine my characters walking and observing, where their souls are awakened, as well as my own. This photo was shot with an iPhone 7.

Susan E. Lloy, Prospect, Nova Scotia, photograph, 2022

Kevin Vivers – Fallow

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Kevin Vivers
Fallow

Kevin Vivers writes: ‘I have been a photographer for over 40 years and I am constantly amazed by what the world has to offer if one just takes the time to see it. I have no preconceived notions as to what I am looking to photograph and with an open mind and eye my images are very instinctual, reflexive. Not spur of the moment but watchful of those moments as they come into view.’

Kevin Vivers, Fallow, photograph, 2021

Bob Ward – Caldbeck Village Green, Cumbria UK

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Bob Ward
Caldbeck Village Green, Cumbria UK

Bob Ward writes: ‘I enjoy taking photographs as records of people or places simply as they are. This photo was taken in Caldbeck Village Green located in Cumbria, UK. It is the quintessential representation of a Cumbrian village with a green, a duck pond, whitewashed stone houses with slate roofs, and green hills with hedgerows and trees in the background. The photo was taken on either a Canon D20 or D7 SLR camera.

Bob Ward, Caldwell Village Green, Cumbria, UK, photograph, 2022

Ray Zhang – Street of Colour and Mountainside Blossoms

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Ray Zhang
Street of Colour and Mountainside Blossoms

Ray Zhang is a senior in high school and he has an unquenchable love for photography. His work has been published in the Blue Marble Review and recognized by the Scholastic Art and Writing Association. His photographs, ‘Street of Colour’ and ‘Mountainside Blossoms’, were taken with an iPhone during his pre-pandemic trip to western China. Ray believes the most important aspect of photography is capturing people’s genuine nature and lifestyles.

Ray Zhang, Street of Colour, photograph, 2019

Ray Zhang, Mountainside Blossoms, photograph, 2019

Bob Ward – Seaside Conversations

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Bob Ward
Seaside Conversations

Among the many pleasures to be savoured on holiday, a leading one must be conversations, often with the strangers you happen to meet informally. Those are occasions when you enrich each other’s being and are able to do so because there is no pressure to rush off anywhere in pursuit of some arid goal that’s been imposed on you. Arising from this, I’ve taken an interest in how people often become truly themselves when engaged in conversation. These photographs are records of people simply talking to each other. They were taken in Wells-next-the-Sea, UK on either a Canon D20 or D7 SLR camera.

Bob Ward, Asking Directions, photograph, 2022.

 

Bob Ward, Reminiscing, photograph, 2022.