A Kind of Cousin
by Kate Foley
(After Michael Kelley’s “Animation 20, 2007” at the Stedelijk Museum)
a great deal of pacing
if we are
to mutate into one work of art
regarding another we must do full-stops
as well as commas
in front always in front
of the not-to-be-afraid-of-it
gaze?
is that the right word? of the artist
and I am so happy to be suddenly
mugged by a great fist of Karel Appel’s
colour and the clown faces speak quite tenderly to me
telling not to get above my station
or pretend to understand Barnet Newman
elderly couples who know the steps
move a few of them at a time
on their afternoon Culture and there is a special
tone of voice you must locate
if you wish to speak of
part of the music of turning into a pitch-
perfect reflection
but haunting as a gull’s shadow
over the sky-light
a child screams
all through
unseen a thin scream
feral teeth in his calf
if this is art
I am its awkward cousin.