Hollis Kurman – Brood, Act IV, scene ii
Hollis Kurman
Brood, Act IV, scene ii
When
Will their parts
Stretch
Deepen
Widen
Sprout
Test
Tug
Them
Away
From me
Reassemble
Themselves
and
Go?
Hollis Kurman
Brood, Act IV, scene ii
When
Will their parts
Stretch
Deepen
Widen
Sprout
Test
Tug
Them
Away
From me
Reassemble
Themselves
and
Go?
Marcus Slingsby
Dyslexic Poetic Rhetoric
Silence reigned quietly.
Thoughts spelt phonetically.
Spellcheck helps immensely.
Thrillers read stallingly.
Literature later hungrily.
Classics eventually.
Then poetry.
This.
Jane Thomas
Menomorphosis
The alarms in my ears are constant but low, detection hampered by heat, all my windows open. And if my mind had not started to muddle, I may have connected the two into a security risk. But I didn’t. I was busy trying to remember the word for ice. That thing that stops things decomposing. Halts and holds things in state. Swims in drinks. Yes, ice.
One summer Wednesday, I was nearly knocked off my bike by an electric car. He said he couldn’t see me. I couldn’t really hear him what with the ears. It kept happening, on zebras, pulling into parking spaces, catching the waiter’s eye. I tried wearing brighter colours, character specs, statement jewellery, blonder highlights, wearing high heels (until my bunions started playing up). I went back to my norms, and began being more vigilant, a little pushier, louder in restaurants.
But my rhythms slowed, became deeper, intentional, interconnected, current. I stopped endeavouring, stopped fighting, started to enjoy my invisibility. Strolling into cricket clubs, betting shops, The Garrick, people don’t question the unseen.
The nigredo of my old life; corporate job cage, daily shroud of non-iron, consumer clutter, dependencies, morphed into the new. Conversations were with quieter divinities; trees, water, spiders, stones. Well-storied beings shared their secrets. My striving for survival was over, gone was the rush, it was all here; shelter of the bluff, soothing of the flower essence, fungi feasts, cloud commune, and this very moment. AQ
Anne Eyries
Metamorphosis
The rash appeared overnight, fanning across his chest like a peacock tail. Bill wants to mention it at breakfast, but Kathy’s already on her phone and the boys are bickering as usual. A strange stillness settles on him and prickling steals round his back, the way Kathy’s fingers did before motherhood gave her a permanent headache. He scratches his throat. The puckers and pleats give him yet another reason to regret shaving his beard. It was Kathy’s idea but now he can’t remember why. His feet hurt so he kicks off his shoes, watches his toes flex and fork of their own accord.
There’s a fly in the kitchen, buzzing over crumbs, refusing to land. Bill tenses, every pore awakening, anticipating. Someone on television is talking about climate change, forecasting more record temperatures, more water restrictions. Bill is tired of hearing about extremes and end-of-the-world deadlines. He’ll be forty next month, married half his life and what’s happening to him right now is a catastrophe in his own home.
He unbuttons his shirt and stretches, testing the elasticity of his new skin, reflecting the kitchen in an iridescent splash. The boys look up, dazzled. He stares them down.
‘Dad’s doing something funny with his eyes.’
Bill blinks and his sons scream. Kathy spins round and he waits, willing her to step closer, to stroke him with a soothing hand, to understand. Instead, she screams too, even before he flicks out his tongue. He swallows the fly first. AQ
Bari Lynn Hein
Queen Mother
While standing before a crowded mirror in a stadium restroom, applying a mauve shade of lipstick from a ‘retro’ collection, Renee Novak became her mother. She blinked and realized she not only resembled Candice—a fact that family members had pointed out to Renee her entire adult life—she was Candice. She had a sudden, intimate understanding of everything her mom was thinking and feeling.
Of the many women who stood at the mirror now, washing their hands or primping, wearing fashions and hairstyles from the 1980s, she was the only one gaping at her reflection. The shock of seeing her mother for the first time in over two decades propelled a squiggle of mascara down her cheek.
She dropped the lipstick into her purse, dabbed her cheek with a tissue, and adjusted the shoulder pads of the velour blouse that she now wore. Her fingernails, which had been bare when she’d arrived at the stadium, were covered in the pearlescent polish that her mother always used to wear. Though she had many questions for the woman who stared at her from the mirror, forefront on her mind was how Marc would react when she returned to her seat. Would he recognize her as his wife, or as the mother-in-law whom he’d never met but whose smiling face filled many pages of their family photo albums?
Renee and Marc had come here to see a Queen tribute band. Queen figured prominently in her mother’s CD collection, and from time to time, Renee liked to pop one into the player in her car. The energetic songs made driving more enjoyable, but she couldn’t exactly call herself a Queen superfan. Candice, on the other hand, had loved their music. One of Renee’s earliest memories was of riding high in her mother’s arms as Candice danced across the living room to ‘We Will Rock’ You all the way through its segue into ‘We Are the Champions’. Renee used to wish the band would segue into a third song so the revelry wouldn’t have to come to an end.
Now, as she reflected on this memory, she felt the weight of a giggling child in her arms. She watched in the mirror as her mother’s mauve lips formed a smile, then hurried out of the ladies room and made her way up the concrete steps to the mid-tier seats she and Marc had snagged for this event. At least tonight they were not in the nosebleed section, as they had been for the last two concerts they’d come here to see.
Climbing the steps, she remembered her mother had once laughingly said, ‘It was inevitable I’d be a mother and that I would love Queen. My name literally means Queen Mother.’
You always knew you wanted to be a mother, Renee told Candice now, silently. I’m not so sure that’s something I want. Or even if that’s something that I can want. Marc, on the other hand, was certain that he wanted to be a parent. He had implored Renee, just recently, that they try to conceive—‘before it’s too late,’ he had said.
It’s not too late, her mother said, hearing her thoughts. I was in my thirties when you were born.
Your early thirties.
Renee had reached her row in the mid-tier section. Someone was sitting in Marc’s seat—a young woman she didn’t recognize at first.
‘It took you long enough,’ the young woman said. ‘They’re almost ready to begin.’ She pointed toward the stage.
‘Aunt Helen?’
The much-younger version of Renee’s aunt laughed. ‘Aunt Helen? Wait, are you trying to tell me something?’ She grabbed her arm. ‘Candy, are you expecting?’
‘I don’t know.’ Maybe the Candice who now took a seat beside Helen was pregnant—with Renee. She put a hand on her belly but felt no movement. ‘I don’t know,’ she said again, in a whisper.
Through a cacophony of applause, Renee heard her mother’s voice, clear as if the two of them were alone in a quiet room. I’m not. You are.
With a sharp intake of breath, Renee searched the stands for her husband. She didn’t really expect to find him here. If he existed in this world at all, he would be a baby, a toddler at most. What if she were never to see him again? The cheering crowd blurred through her tears.
Band members straggled onto the stage. Brian May, John Deacon, and Roger Taylor picked up their instruments, and then Freddie Mercury strutted out to the microphone and launched more thunderous applause with, ‘Keep Yourself Alive.’
This was not a Queen cover band. This was Queen.
Helen grabbed Renee’s hand and pulled her to her feet. They danced and swayed and kept looking at each other—one celebrating a shared appreciation of the music, the other getting a glimpse of Helen, younger than Renee had ever known her. While Renee embraced the experience, a sense of dread climbed through her windpipe. What if, in fifteen years or so, she faced the same prolonged, painful death that Candice had endured? What if she left this world before her daughter had a chance to tell her how much she meant to her?
I miss you so much, Renee told her mother, while the entire audience brought their hands together to the opening rhythm of ‘We Will Rock You’.
I miss you too, her mother said.
‘I don’t know if I can do this.’
She realized, when her aunt smiled over and asked her to repeat herself, that she had said this out loud.
Helen was wearing a wide, V-shaped gold belt that Renee recognized as one that she’d worn on Halloween, when she was eleven or twelve. Her mother had given it to her, describing it as ‘vintage,’ telling her it was just what she needed to complete her costume.
‘Is that my belt?’ she said now.
Helen laughed. ‘You told me I could borrow it.’
To her mother, she said, I don’t know if I have the same maternal instinct that you had. I don’t know if I can do this.Again, she felt the weight of a child in her arms. Again, she saw the walls and furnishings of her childhood living room sail past her.
I know you can.
Everyone in the audience was singing along to ‘We Are the Champions’ so Renee joined them. Candice joined them. They sang as one.
I’m married now, Renee told her mother, when the song had ended and ‘Killer Queen’ had gotten the audience fired up all over again.
I know.
How much of the future did Candice know? She’d died at the turn of the twenty-first century, before so many life-altering events had been added to the history books, before Renee had reached adulthood, started a career, fallen in love, married her best friend.
I’m afraid I’ll never see him again. Renee felt dizzy at the prospect of being unable to return to a life that she’d come to cherish, a life that she’d probably taken for granted.
Helen leaned over and shouted, ‘Are you OK?’ Everyone was dancing to ‘Killer Queen’ except Renee.
‘Fine. Why?’
‘You look pale.’
‘Just feeling a bit—lightheaded.’
‘Maybe you really are pregnant,’ Helen said. ‘Let’s pick up a test on the way home.’
My test will come up negative, Candice told Renee. But yours won’t.
Renee felt as if she was going to tumble over the back of the seat in front of her. She grabbed onto it for support. ‘I’ll be fine,’ she said. ‘Maybe I should just go and splash some cold water on my face.’
‘I’m coming with you then.’
Renee hated to take her aunt away from this once-in-a-lifetime concert that had preceded her own lifetime, but Helen was already pulling her toward the concrete steps, as nurturing now as she would be later in life.
‘If you’re going to splash cold water on your face, make sure you moisturize right away,’ her mother said, as they descended the steps. ‘Hope you brought some.’
I did. I remember you told me that, a long time ago. I remember everything you taught me. I remember— Even in silence, it was hard to get the words out. You’re with me, at some random moment, every day.
Whereas the ladies’ room had been crowded just before the concert, now Candice and Helen had the entire mirror to themselves. Renee studied their side-by-side reflections for a moment, two women with blown-out hair who looked to be no older than their mid-twenties. ‘Cold water,’ Helen reminded her. ‘Start splashing.’
Renee held her hands beneath the faucet for a moment before bringing cool water to her face. When she looked up, Helen was still standing beside her, but now her hair was pulled back in a low ponytail, exposing white, wiry hairs at her temples. When Helen smiled, fine lines fanned out from the corners of her eyes. ‘Well, fancy meeting you here,’ she said.
‘Aunt Helen,’ Renee said.
‘I didn’t know you’d be here. We could’ve bought seats together.’
Renee tried to rein in her relief at seeing her own reflection in the mirror. ‘Yeah, it’s—a great—concert, so far.’
‘It is, isn’t it? Almost as good as the real deal. I try to see this group whenever they’re in town.’ Aunt Helen gave Renee’s arm a squeeze. ‘I know I say this all the time, but you remind me so much of your mother.’
‘You guys came here together to see Queen, back in the Eighties. Didn’t you?’
‘How’d you know?’
‘My mom told me.’ She reached into her purse for a tube of moisturizer, squeezed some onto her palm and applied it to her cheeks. She did look pale. Maybe it was the lighting in here. She picked up the ‘retro’ shade of lipstick, then changed her mind and dropped it back in alongside the moisturizer. She noticed her nails were bare.
‘That was a blast, seeing Queen with your mother,’ Helen said. Her eyes were rimmed in red.
‘She told me—that—that night meant a lot to her too. She talked about you a lot, about the fun times you had together.’
‘That’s sweet.’ Aunt Helen smiled. ‘It’s been too long, kiddo. You should bring that handsome husband of yours by. I’ll cook dinner for you and we can reminisce. Maybe next weekend?’
‘We’d love to. I’ll call you.’
Helen squeezed Renee’s hands. ‘I guess I’ll get back to my friends,’ she said. “It was so nice running into you.”
‘So nice running into you too.’ She held onto her aunt’s hands for a moment longer, studied the soft fingers that were shaped like Candice’s, like her own.
When she stepped out to the concession area a moment later, she found Marc waiting for her, his brows furrowed, holding a can of ginger ale. ‘Feeling better?’ he said.
She nodded, unable to open her mouth for a moment.
‘Your aunt is here,’ he said.
‘I know. She and my mom were big fans of Queen.’
He held out the can. ‘I bought this for you. Thought it might make you feel a little better.’
‘I’m fine now,’ she said.
‘Maybe, it’s, you know.’ He grinned. ‘I don’t want to jinx us or anything.’
‘Maybe,’ she said. She held the cool can against her cheek and snuggled against her husband, while a pretty decent cover of ‘You’re My Best Friend’ floated over to them from the stage. AQ
Kiera Faber
The Gathering
The artist writes: ‘Light illuminates fragrant clay dust hovering in the air of my mother’s ceramic studio: This crystallized memory encompassing magic and exploration spawned my love for materiality and imparting the marker’s mark by creating work by hand: To touch is to be alive. My Jacquard tapestries are created on looms that weave from digital files, metamorphosing pixels into physically woven threads. They exemplify tactility by weaving surreal depictions of my original drawings, analogue photographs, and hybrid combinations; fusing the known with the unknown and confounding what is real or imagined. Connected in blue, my textiles venerate a colour rarely found in nature. Through blue’s scarcity, it becomes a mystical other: Offering a divergent way of seeing and being in the world; realizing the impossible.’

Kiera Faber, The Gathering, front, Jacquard tapestry, 27 x 42 inches, 2025

Kiera Faber, The Gathering, back, Jacquard tapestry, 27 x 42 inches, 2025
Terry E. Hill
Unpacking Ovid
The story turns on an ageing, ordinary couple who alone among the Phrygians gave welcome to strangers and who, upon seeing the bowls of their modest meal self-replenish, then took fright at their divine guests and flurried about to sacrifice their only goose as well. Gently the unveiled gods soothed the ruffled bird, and gently they granted the couple’s request. Companions we are and would like to remain until our hour is come, said the faithful mates. And so it was. The hour arrived on an ordinary day, when in the midst of their usual routines they turned, said farewell, and drew their last breath together. Ovid sang of the spreading branches of the trees they became, so one can readily imagine a gracious post-mortal mingling of limbs and leaves. ‘Two neighb’ring trees with garlands on their boughs’, said Dryden.
This has long been my favourite of the fabled transformations, not as dazzling as some but tapping nonetheless into some archaic yearning. Now part of a fortunate couple in our eighth decade, it occurs to me to look more closely and unpack, as they say, its congruities.
Starting with the flood. To their credit, Baucis and Philemon lamented their community’s devastation even as they themselves were spared. Ovid didn’t dwell on the drowned blacksmith, nor the midwife, barefoot boys, girls with scraggly hair, village simpleton, the thief, the blind crone, or the goat stranded on rooftop until the rooftop was no more. The gods in their sport, of course, never give much mind to fine distinctions of justice. Here all but the pious two are wicked and doomed by clear-cut categorical logic. But in ordinary reality, few of us inhabit moral extremes. A moment’s reflection on duty to neighbour or duty to stranger at the door will assign most of us to a vast and amorphous middling category, including the aforenamed couple in our eighth decade, of unexceptional virtue, fortunate only because of fickle streams in human history, subject to little more than the dancing dust particles of Lucretius, Brownian motion, mere jitters of fate.
Should we begrudge any such couple their happiness? How does one make sense of a good marriage amidst catastrophe, be it ancient or contemporary?
Context matters, for virtue is not a constant across millennia, and this flood of the past is not necessarily prologue. In Ovid’s telling, the world is put right, the waters calmed, the cottage and two trees landscaped and comely, the rolling Anatolian countryside again home to peasants and their goats. The merit of capricious gods over the likes of planetary forces is their willingness to relinquish their whims, to restore and regenerate. The contemporary story of ocean rise, catastrophic weather and fire will have no such tidy resolution, and our lamentations will insist on more than brief mention. And yet within that grand ineluctable narrative are numberless micro-stories that are open-ended, their outcomes contingent, and we are actors in those tangled contingencies. Even those of us with blemished piety are graced with opportunities to tend the temples of our planet and mitigate the pain of its creatures.
Finally, back to what Ovid didn’t know about those trees with spreading limbs and garlands. Possessed of a more modern botanical bent, I’m inclined toward the marvel that lies below those branches, in roots that lace together through aquiferous earth, passing nutrients in a deep knowledge network. Even the gods, rambling about a garden more immense and older than they, were unaware of this subterranean exuberance. Another lacuna in Ovid’s understanding was how Baucis and Philemon managed to achieve their equanimity. His own first two marriages ended in divorce, so he could not have been describing them when he wrote, ‘Command was none, where equal Love was paid…both commanded, both obey’d.’ His story still delights me with bowls of homely dishes transforming into feasts and wine jars filling with vintage on their own, but the less-magical wonder preceded the meal, realized day in day out by Baucis and Philemon across those faithful decades together. That couples can finesse that at all is marvel aplenty. We can give Ovid credit for affirming a marriage ideal beyond his reach, but we could also add that such couples’ achievement relies upon a shared ecosystem that manages to mature amid uncertainties and darkness, a shared psychic ecosystem whose roots gravitate downward, become relational, and draw resources from this underworld into the aboveground world of routines, mutual tasks and affections. Such sustained transformation doesn’t need a miraculous meal or big arboreal finale to be wondrous.
Justice is illusory, of course, when subject to the whims of gods or jitters of fate, but we can choose not to begrudge Ovid for the rounded satisfaction of his story and the delight of those intertwined limbs. And yes, I’m glad that Jupiter spared the goose. AQ
Derek M. Ferguson
To Another Place
Remains of Blu-Tack clues
poxing its grubby white face
a plague that once informed the surgery wall
and those beneath, eyes dead ahead, in patient rows-
of old-world warnings of flu and measles epidemics
and, but of course, the need to give up smoking
I envy those in well-worn wait their coughs and aches
the doctor’s routine dispensation
in ten minutes very flat
I wonder when my poster will appear
Beware for Reproduction Kills
(please take your faulty genes and leave this place)
It started with a tremor in my hand
It’s Huntington’s* the doctor said alive at last
my brother and my father too
ahead, like madness in the missionaries
robed in our taint, to a virgin land
how would my journey be?
would I forget a friend
Do I know you?
or lose myself in landscapes?
or scream until they fed me pills and put me in a room?
When I got home,
I took the book of photos out
my father and my brother, black and white
but soon to be in colour
for they would welcome me
to each new day, over and over
always and always
the painful yesterday’s forgotten
I lit a cigarette and watched its disappearing smoke
and took another step
*Huntington’s is an inherited, incurable, progressive, neurodegenerative disease
Derek M. Ferguson
Into The Light
It had been a long time coming
a lifetime in fact
of shadow, soft retreat, words carefully chosen
of hungry eyes lingering a little too long
a small world of stolen consolations and smaller pleasures
Different times the youngsters said, words dropping carelessly
Easy for them, I thought as I pierced the cellophane dinner
the knife, its tip so close to where I thought my heart might be
And then I met him
no more a mean meal for one, but finally a banquet
now offered up on an exquisite plate,
its pattern of blooms spreading reckless joy
the idea of picking them took my breath
back to my alien place
to fill a solitary vessel to turn towards this sun
but die slowly from their wounds
Then the voice in me began
quiet to begin with
words elusive, places strange
slipping away, like the spring soil through my fingers
like the keys I could no longer work in the lock
like the names of the flowers I’d forgotten
now the voice was getting louder
It’s Huntington’s* the doctors scream
I flee back home and pull the drawbridge up forever
and leap the final yard eyes shut
and as the door is opened, the rush of light bursts out
My world, and try to catch its breath within the tremor of my hand
He looks into my eyes and says
We’ll go together and I will hold you
and then I know that this new land holds wonders too
and he is keeper of the precious memories
and when I lose my way and flowers begin to fade
he will reach inside me
then take the bloom into his hands, his world, my world
and tend it safe
*Huntington’s is an inherited, incurable, progressive, neurodegenerative disease
Barlow Crassmont
Delayed Symptoms
‘Jill’s mother died.’
The bleak news doused their shouting match better than an extinguisher. ‘She texted earlier. ‘The words wormed themselves from his throat laboriously, like jagged eels.
‘W-what?’ Mari’s hand was an arachnid of flesh and bone over her gaping mouth. ‘Are you serious?’ Porter nodded. ‘Why did she tell you, and not me?’ If only he could answer, instead of shrugging nonchalantly. The disappointment caused Mari’s eyes to bulge and, eventually, redden. Once the first whimper sounded, rogue tears followed.
‘I’m sorry.’ He placed his arm on her shoulder, and she soon forgot their previous argument. The embrace was as warm as any they’ve shared in a while. When she buried her head against his chest, he knew disaster had been averted, at least for now.
What could he do? Stuck between a rock and a hard place, he refused the slightest graze with either. When faced with insurmountable odds, the smart play was to fall back, and concede to untruths. At least then his personal failures and disappointments were not front and centre. It was now time for the latest fiction, for the band-aid he’d employed was merely temporary.
‘Jill said she wants to be alone,’ Porter whispered. ‘No calls or texts.’
‘R-really?’ Mari’s body quivered, and she stared without blinking. ‘Huh.’ Porter, however, was a step ahead. ‘I have to go. Doctor is waiting.’
‘Doctor?’
‘Just a check-up. Haven’t been in a while.’
And there it was. A seed. Just what he needed to say, and what she needed to hear.
For the effect to be complete, he’d disappear for a while, and return with slumped shoulders. He could picture it: pouting his way to the fridge, cracking a beer, then placing it down, unable to drink, his hand over his face, the prince of melancholy. Sensing his sorrow, Mari will approach with mixed emotions. On one hand, she’ll be fuming about the earlier lie, for by then she’ll have gotten the truth from her friend. On the other, she’ll be doubtful about his possible prognosis, for it may, just this once, be authentic.
‘Hey,’ she said when he’d returned. The aftermath of laborious sobbing was discernible in her shaky voice. ‘How’d it go?’ His shrug was apathetic and distant. From a corner of his eye, he tested the temperature without looking at her directly. Maybe she still doesn’t know, he thought.
‘I talked to Jill,’ Mari’s intonation rose as her body stormed at him. ‘I can not believe you’d lie about th—’
‘He found a tumor,’ Porter said, his sight never leaving the floor. ‘Prostate.’ Of the few talents he possessed, acting was not among them. Yet he gave it his all, for nothing less would suffice. Hiding his face, he wept like an unfaithful worshiper on judgment day. He held this semblance extensively, without a false note. Endurance was gonna get him through, if only he could stretch the act. Feel it, believe it, BE IT!
And he did. When Mari wrapped her thin arms around him, their grasp lingered between a passive hug and a passionate caress. She suspected little, and their intimacy felt righter than rain. If Porter could’ve stopped time, and stretched the stillness of this moment into eternity, he would have. The endlessness would be burdensome only in the beginning, but with the onset of years, the passage of time would speed up; himself and Mari would ultimately perish, her never being the wiser. Yet the uncomfortable reality required new periodic fallacies, as the morning needs the sun.
***
Several weeks later Porter rose with noticeable gunk in his eyes. Not even his toxic breath could have masked the awkwardness he faced while standing over the toilet. His urine flow was interrupted multiple times, and he struggled mightily to empty his bladder. When he caught sight of Mari’s reflection in the mirror, eyeballing him like a skeptic in hiding, Porter was spooked.
Why does she look at me so?
He squeezed, he pulled, he twisted; he did all he could to milk the slightest drop, and by the time the burning sensation dissipated, he was already dreading his next toilet visit.
Mari’s calmness was as palpable as a frosty peak in wintertime.‘I’m sorry I doubted you,’ she said. Her newfound benevolence caught Porter off guard. He was used to her bickering cries, her screaming, her disapproval of most everything he did; but not this. The weirdness was palpable, and it stung like a rogue hornet. Such an unexplainable oddity called for a new untruth. He had to bail himself out-but all he drew was a sea of blanks. It was Mari who spoke first.
‘I talked to Jill. Her mother died last night. This time for real.’
‘R-really?’ Porter asked.
She nodded.‘You’ve become quite the prophet. Who knew.’
Porter opened his mouth, but could utter nothing. The unsaid words retreated back into his throat, where they lingered extensively. His hand, in a defensive reflex, enveloped his privates. Porter wanted to speak and mask the awkwardness, but the lump in his throat was nearly as big as the one on his left testicle. AQ
