Gene Groves – Zeus Is Flabbergasted

Gene Groves
Zeus Is Flabbergasted

Look at him! Fair enough, name your new city
after yourself. Build altars to me, the other gods,
that keeps us happy, doesn’t it?
But this swollen headed Salmoneus has kidnapped
my sacrifices, mine, Zeus, lord of all.

He announced to all Salmonia
that he is Zeus. Look at him!
Safe, so he thinks,
cauldrons chained to his chariot
dragging through streets.

What a racket! He’s bound them with hide.
I’ll have his hide.
What’s he up to? Such noise, I can’t think.
Oak torches hurled into the air like javelins,
falling like lava.

People ducking, diving
scorched skirts, burned bodies.
Salmoneus, a fake Zeus, creates stage sound effects.
His little city, little chariot, little life all mine.
One thunderbolt is all it takes.

Laura Reece Hogan – A Small Good Friday Service at Notre Dame Cathedral

Laura Reece Hogan
A Small Good Friday Service at Notre Dame Cathedral

                                                                            Paris, 2020

The blackened wound still festers, open to the Parisian sky,
barbs of melted steel beams left to untangle, all progress

stopped by pandemic. The irreplaceable roof and spire
lost; yet priceless treasure survived—the crown

of thorns, long-suffering. The nave billows toxic lead
from the incinerated roof. The structure teeters

on failure, construction helmets required.
Priests process in masks, liturgical actors read in plastic

suits, rubber boots, cameramen capture the scene
in hazard gear. Only a few of us can be there, a few

of us playing all of us, all of us who wear hard hats
in adoration of a crown of thorns.

Peter J. King – Recollections of a Byzantine Official

Peter J. King
Recollections of a Byzantine Official

                                             (after K.P. Kavafis)

Symeon the Logothetis          stood up from his desk
and stretched; his neck          was stiff, his eyes
were sore and gritty,          and his stomach rumbled.
He had spent the morning          calculating soldiers’ pay,
and tracking down corruption          in the purchase
of Greek fire, and now          he needed food and rest.

He strolled down to the Neoríon,          joined the throng that bustled
through the gates, and bought          some fresh-baked bread
and Cretan cheese and wine          at a taverna on the harbour front.
A regular, he nodded greetings          to the sailors, shipwrights,
sutlers, and sawyers passing by,          and one or two received
a warmer, secret smile. Refreshed,          he strode more briskly
back to where his desk was waiting;          in the quiet of the Strategeíon
(for the staff were mostly napping          through the drowsy afternoon)
he laid out all his writing tools          and his unfinished Chronicle.

Sighing, then, he set to work          where he’d left off
the day before: the reign          of Romanós Lekapenós,
whose dark and liquid eyes          he still remembered,
gazing into his across a cushion          of embroidered silk.

LindaAnn LoSchiavo – Nessun’ Dorma, 1924

LindaAnn LoSchiavo
Nessun’ Dorma, 1924

                     Giacomo Puccini’s final aria
 
 
The solitary citadels of stars
Keep watch. Maestro, nessuno dorma.

Without composers, living’s burdensome.
Existence lurks there: big and dangerous.

You, Giacomo, are one who ordered it,
Melodically, while tapping swirling thoughts
On Luccan ground and looking for lost keys,
Or “little girls” like childish Turandot,
Notes held in escrow, unfinished princess—
Alfano’s trimmed attempt aside. Your fans,
Like Toscanini, rested their batons
Where you did, changing us with knowing strokes,
Truths caught by penetrating eyes, complaints
By Butterfly, Rodolfo, and Manon
Made classic, your skilled fingers knocking stars
Out of Italian cities, tapping keys
So reputations could persuade on stage.

Puccini, state zit’. Nessun’ dorma.
Stars spill your spirit from unseen music
That still contains it. Under trees, your themes
Play out through leaves, repeating sounds in woods,
In wind. For you, fans bow their heads in time.

            Nessun’ dorma. Vincero, vincero!

David Melville – Purgatory

David Melville
Purgatory

                ‘Ma Virgilio n’avea lasciati sceemi –
               But Virgil had left us, he was no longer there –’

               – from Canto XXX, in which the pagan Virgil
               must return to the underworld having led Dante to heaven

Wince not for Virgil solemn on his march
from heaven, the ramble and stumble down slope,
last rays on his neck, and judgment’s gap a stark

crack in the earth; inferno without hope.
Behind him, pilgrim Dante soars to joy
in folds of pure light: angelic throats

whose music rings in blissful, holy voice,
with all existence one vast dream in song.
Yet Dante shall slip down again, psalm destroyed,

bereft of Beatrice, his dead love gone.
At last each poet comes to know the fruits
of paradise are rarely tasted long:

Though saints and lovers sing devoted truths,
artists’ souls ever sink back to earth.

J.R. Solonche – Perseus

J.R. Solonche
Perseus

I almost peeked.
How could it be true?
No one could be that horridly ugly.
No one could possibly be that ghastly.
Turn men into stone?
Turn boys into stone, yes.
Any old hag could do that.
I’ve witnessed it many times.
My own grandmother turned me into stone once.
But to turn a man into stone?
A man who has slept with hundreds of women?
Young, old, fair, swarthy, slender, fat?
A man who has been everywhere, seen everything?
No. I did not believe it.
But I brought my shield anyway.
Just in case.
As insurance.
And as I say, I almost looked at her.
I felt pity.
For a moment, I truly pitied her.
I even wanted to tenderly touch her face.
I wanted to whisper, ‘I’m sorry.’
And I did.
I did whisper to her.
As I looked in my shield and slew her,
I whispered, ‘Forgive me.’

Cammy Thomas – Sea Nymph Leucothea

Cammy Thomas
Sea Nymph Leucothea

Swimming beneath the dark waves,
I feel the storm, pressure in my ears,

and look up at Odysseus, his pale legs

churning in the ridges, naked,
alone, clinging to a spar.

As a bird, I break from stinging foam,

land on his broken mast. Once,
I was Ino, a human girl. Humans in the sea

must breathe, unless the gods transform them.

This man will be abandoned. The angry god
will let him die. I remove my magic scarf

to wrap around his middle, but as I reach,

he shrinks away. In his face
I see—I’m no longer human.

Still, he takes the scarf, and it scares

the water calm. I sink back into cold
and foreign gloom that is my home,

turn, and swim down.

Bob Ward – Witnessing Edith Cavell

Bob Ward
Witnessing Edith Cavell, 1915

                When the Germans occupied Belgium at the start of WWI,
                Edith Cavell was the Matron of a hospital. She treated all
                casualties from both sides of the conflict, but secretly helped
                Allied troops return to their own lines. Found out, she was
                court-martialed and shot. She is buried in the grounds
                of Norwich Cathedral.

The woman overwhelmed his memory:
His only course remaining was to write
How as an army chaplain history
Forced itself upon him when human spite
Dressed up in uniform had no answer
To integrity but a firing squad.
Head, heart met four bullets—she’d not defer
To arrogance; her measure lay with God.
The young men cast in military poses
Might soon be dead themselves, no one could tell . . .
Staff at her hospital ten weeks before
The trial had sent her in a bunch of roses
That she cherished, even when they fell
As withered petals on the prison floor.

Melody Wilson – Medea’s Last Girlfriend Consoles

Melody Wilson
Medea’s Last Girlfriend Consoles

Yeah, you were kind of hot, out there on that island, and you had skills. Big fish in a small pond. But Jason came along in a Pontiac or a longboat, something about a sheep, and off you went, total defiance. Your brother’s head in tow. Kind of a groupie, a girl from the wrong side of the tracks, new to town, in over your head. You didn’t even know all the words, fiancé, fellatio, souffle. Such a bumpkin. You were both outsiders, but he was smooth and shiny, and you were broody, and there were parties. You got to know people. You had the palace, the boys had a tutor, and you could walk around the market shopping for pomegranates and smile. It wasn’t enough, of course, and that thing about the boss’s daughter. Okay, she was beautiful, like Charlize Theron in that J’adore commercial, and you kept saying, “It’s just the dress,” and well, you got that proved. Then there was no turning back; he would send you packing, and the boys would know, and they looked just like him, and well, that’s the thing about scorning.

Mantz Yorke – ‘The Bronze is Clotting!’

Mantz Yorke
‘The Bronze is Clotting!’

                After Cellini’s casting of Perseus with the Head of Medusa

The words of panicking foundrymen
jolted Cellini with adrenalin,

for if the curdling bronze were cast
the statue’s extremities would be lost
to a metallurgical equivalent of frost.

Thinning the melt needed extra tin:
knowing pewter acted like warfarin,
he stirred platters and dishes in
till the bronze blood would freely run
into the sandy, wax-free skin.

Medusa lies dead, Perseus astride:
triumphant, he holds her head on high,
averting his eyes from its deadly writhe.

Displayed on marble in his loggia home,
Perseus stands cold, and stiff as stone.