Amlanjyoti Goswami – Fresh fire

Amlanjyoti Goswami
Fresh fire

Far from the fire
I stand still and watch
My city burn

I speak for no one
Just the one now gone
Who spoke four languages

Listened to many
Dreamt in two.
Whose kitchen flavours

Brought winds
From faraway.
But that does not wish rage away

Or understand it.
Born of no soil, I am only wind.
Water that knows no stone.

The blood once more
Runs on the street
The familiar shops

Morning, now closed
Like the old days.
And night breathes a strange wounded silence.

The dark red spilling out
The hospital room
The street and gutter.

The horrors of childhood
Return like a broken dream
Unfinished business of waking up before dawn

And wondering what the day will bring
New stories of those missing, those gone
And what their next plans might be.

Margaret Koger – Hard By the Quarantine

Margaret Koger
Hard By the Quarantine

The day is a locked cabinet, a ferry housing the hours as they chime their insistent passage.

Hard by the lilacs breed perfume, sap drenching the pollen air. Here and there a chickadee
pleads his randy case. And the keys beneath my fingers con words into being.

Words to ease novel virus fear. My fingers stroke, hard by the hours, stitch tales of wild remorse. They want to say, Oh words, but find no comment.

When contacts fold, will new ones follow? Is spring the harbinger of death? When you cough and the lilacs have wilted, what next?

What you leave out will always be missing.

Margaret Koger – The Yard Light

Margaret Koger
The Yard Light

I am not spying exactly.
The old farmhouse, night,
faded paint, light like
an encore of firefly
commas in leaves, their
staccato promise of profit.

I slouch across grass
steal into the orchard
dusk surrounding
as if I’m in your arms.
How once I gazed
boldly into our window
to see the blue chair
we bought together
to see you sitting there.

I look down at my boots.
Our lives have moved on.
The big red apple cookie jar
(a wedding present) is
empty, the children gone.

Whatever it was we had, the
quiver of arrows, the bow …
hyper things; a stream of
aquamarine phrases
a necklace, the lift of a chin
lost. I touch the windowpane
cold glass, shards hungry
to shatter. The yard light
wrinkles my skin.
I live in another world.

Donna J. Gelagotis Lee – Choice of a Country

Donna J. Gelagotis Lee
Choice of a Country

I am flying to another country.
I have left my own, but it stays within me.

The thought plays with me that I could remain.
But remaining isn’t the same.

What white structures pour blue into a sea
as you tour the island’s visage and taste

salt and thyme as mistakes pile up like fishes
on a dock weighed for dishes foreign to the tongue?

It’s not too far flung that day is a wish to be unwound,
that night is a scent to be aligned with the moon’s stare

as you go into an alleyway of cobblestone timed
to your footsteps and a bird’s chimed dive.

The sea at the end of the street wavers
on a slice of light while you give up searching.

The road is like a rope tied to the docks
of two countries. What must it be like to rock

in that water, buoyed like a fishing boat caught
in a stream of light? What must it be like that you

ought to know there are no gift fishes anywhere?
Everyone owns a birthright; that land cannot be

compared. So choice is deciphering one from
another, as if happiness could be something

found, as if place were a cliff with wings because
you saw it in a photograph and dreamed it was.

Cheryl Pearson – Anatomy Class

Cheryl Pearson
Anatomy Class

The wrapped slab was cold, the labs were cold.
We were rubber-gloved and booted, playing
at professionals, all tremors under the gowns.
There were rumours the dental students
wouldn’t get cadavers, only heads, severed
and plated like Saint John the Baptist’s.
They only needed gums and teeth. We
were nurses, radiographers, spared the shock
of the obviously dead who had only lately
stopped requiring eye tests and vitamins.
On our desks in freezing gauze, the torsos:
human, yes, but manageable. Already cut
along the front, more pantry than body,
amply stocked with replicated parts—
plastic liver, rubber heart the size of my fist—
each tethered to its spot with rope. I thought
they looked like astronauts, umbilical in air;
I made a note. I’d wanted to study literature;
the Career Advisor had warned me off. A waste
if you don’t want to teach. Think about nursing,
something vocational. Student loans don’t pay
themselves. Lately I’d been writing in my rooms
at night, poems I dug out and dusted off
like bits of buckle or willow-ware. I hadn’t trusted
my body for months. I bruised like bad fruit,
fell often. No wonder if this was my engine.
It was nightmarish. Mince and cheese and béchamel
left to congeal. All the iron on earth, I wrote, was born
on a star. Including the iron in my blood.
That was the science I wanted. Where I was
supernova inside. And it wasn’t fatal to live.

Pat Seman – Persephone

Pat Seman
Persephone

Grass in the meadow hip-high, scattered with wild flowers,
she’s gathering armfuls of them: iris, hyacinth and the pale
narcissus, its scent so sweet and heady it overpowers.

A trembling,
          a violent heave,
   the earth under her feet
                    falls
                              away,
                    she’s snatched
   dragged down, nothing
                              beneath her but a rushing darkness.

Can she still hear us, the trees whisper as their roots
push through crumbling earth to hard rock,

   voices reach her flitting
   through hollow chambers and twisting corridors,
   arrive as a distant memory, faint
                                                                   echoes
   of the world above,
          where the mother
   roams in anguish, her despair
   a scourge that withers every green thing,
                                                           stripping the earth bare.

But Persephone knows now what she wants,

six pomegranate seeds,
jewel-like, glistening,
plump with juice.

She picks them one by one from his proffered palm,
each on her tongue
                              an explosion.

Light courses
through her darkness,
she’s rooted,
electric with knowledge.

The seed is sown.

J. J. Steinfeld – A Perfect Moon, At the Very Least

J. J. Steinfeld
A Perfect Moon, At the Very Least

You mean the choice this time
is between leniency and forgiveness
that’s hardly fair or enough
and who’s offering the goods
they could be counterfeit
then what would I do
not enough, another existential near miss
like missing a lottery win by one wilful digit
(isn’t that a kick in the cycles of life)
or even worse, like nearly falling in love
on a salvageable night with a perfect moon
(the last time there was a perfect moon
I heard from a metaphysician of perfect moons
was when several of the unloved fell in love)
wait, I seem to recall the previous time
I was offered a hush-hush deal in the night
it was between redemption and exoneration
and I’m nowhere closer to sense or escape
than before, so whoever you are,
I await my next choice and hope to hell
it includes a few lousy bucks
or a perfect moon, at the very least.

Meryl Stratford – To the Inhabitants of My Childhood Dollhouse

Meryl Stratford
To the Inhabitants of My Childhood Dollhouse

You appeared
one Christmas morning
in your two-story tin house,
all your plastic furniture
in place.
I was the giant face
watching,
the giant hand
reaching in,
moving you about.
You sat
on your tiny chairs,
eating your silent supper.
You lay
flat on your backs,
staring up at the ceiling.
I wish I’d given you
gourmet meals,
bubble-baths,
numinous dreams.
Every day
should have been Christmas.
I wish I’d given you
secret identities,
kinky sex,
magical powers
like time-travel
and ESP,
or let you fly
up to the rooftop,
or sent you off
on impossible missions
so you could die
and return from the grave.
Wherever you are,
I send you this wish—
a child who will give you
interesting lives.

Christina Thatcher – Convincing a Horse to Cross the Tohickon Bridge

Christina Thatcher
Convincing a Horse to Cross the Tohickon Bridge

He knows stepping off the edge
of a cliff is unnatural, that hooves do not belong

             on iron. He knows catching glimpses of river beneath
             our bellies is abnormal. He knows he is not meant

to move from this place to that place. He knows he should listen
to the earth, take the safest route. He knows the bridge

             is green but not the right kind of green. He knows he shouldn’t
             have a rider, even, shouldn’t have to bite metal. He knows

                          he is not meant to be here, standing at the brink
                          of this bridge, but what should he do? What can he do, now?

Mantz Yorke – Parkinson’s

Mantz Yorke
Parkinson’s

He yearns to retrieve his middle age,
when he trod heathery cliffs and sailed
his home-built dinghy to the next cove
for a picnic on the sand. He was told
his bodily decline was irreversible,
but would not believe it until he fell
on the steep slope below the house,
discovering, like a beetle on its back,
he needed help to regain his feet.

He loves this house—the family home
for fifty years—high above the village,
overlooking the harbour and open sea.
The slope is too much for him now
and she can’t drive him down the hill,
yet he refuses a move to level ground
where he could trolley round the shops
or sit on a bench watching trawlers
offload their fish. ‘Stubborn sod,’ she says.