James Penha – First to Last

James Penha
First to Last

I recently replied to a tweet from someone I follow but otherwise don’t know except that we like each other’s politics. I had no idea he was a teacher until I read: ‘First day of school tomorrow. 3rd year teaching. I’m still nervous.’
      Oh, do I know what he means! I had forty-five first days over the course of my career. I was anxious on every one … and during the 1600 restless Sunday nights before Monday mornings … and on many other days among the 72,000 for which I prepared lessons so meticulously that I could belt them out like a Sinatra doing ‘I’ve Got You Under My Skin’ at Carnegie with syncopation, improvisation, and a particular spin rolled out for each and all of the students in front of me.
      ‘It means,’ I tweeted back, ‘we care.’
      But caring for the education and emotions and expectations of young people is exhausting—like parenting in some ways, but not in others. Although students regularly left the nest of my classroom, new hatchlings, their mouths and (I always hoped) minds open, appeared every new academic year. Despite the exhaustion and the anxiety, I loved the process because I learned as well—more from my mistakes than from my successes—to become a wiser and increasingly effective teacher with every brood.
      And my students, each successive year more junior than I, kept me young long after my youth was gone.
      By the time I reached my sixtieth birthday, I experienced neither ennui nor burnout, but an aching, physical weariness disabusing me of the dream that I would one day drop dead in the middle of a lively discussion of ‘Do Not Go Gentle.’ I had to admit that I was growing too old and too tired to teach until I died. Nonetheless, I struggled to continue, postponing retirement for another seven years.
      But my last day did finally come. The department party and the paeans by administrators at the final faculty meeting had taken place. On my last day, I discussed semester exam results in classes and delivered report cards to members of my homeroom. Their goodbyes and godspeeds were sincere, but they only knew me for a year or so and had a summer vacation to get to. I soon found myself alone in my—no, not my any longer—the classroom. The cleaners arrived with brooms and mops and emptied the last of my refuse from the trashcan to a big black plastic bag. I made my way out the door, down the stairs, on the path through the quadrangle to the street, and I felt a perturbation more disquieting than any anxiety I had ever known on a first day of school.     AQ

Antoni Ooto – Tomorrow

Antoni Ooto
Tomorrow

the sky steals a groaning tenor
a great poplar kneels to a fall

confusing peace as light bares itself down

arms broken, a nest scatters,
roots forget their business…

webs of lost resolve

now,
the work of grass begins

Sharon Lask Munson – First Apartment

Sharon Lask Munson
First Apartment

          Woodbridge, England

I recall my studio apartment,
sparsely furnished—
brass bed, two drawer dresser,
stand alone oak wardrobe,
one reasonably sturdy lounge chair,

acquiring other essentials:
electric burner, tea kettle,
mismatched cups, saucers, plates,

and a nearly new record player
along with a small collection of LP’s—
Tchaikovsky, Mendelssohn,
from a secondhand shop on Sudbury Hill Road.

Even today, yellow mums bring to mind
the flowers I bought at Ipswich Market,
the earthy scent that lasted for days.

I look back on my friend next door—
Faith’s Arabic coffee
infused with cardamom, penetrating walls.

On winter afternoons
branches from a horse-chestnut tree
brushed my window, cosy in the rustling.

Warm summer days found me outdoors
under the tree’s dappled shade,
poring over Anya Seton’s latest novel.

At night I’d listen to strains of Mozart—
warm rich sounds of Dennis Brain’s French horn
lulling me into slumber.

Shawn Aveningo-Sanders – Our Last Vacation

Shawn Aveningo-Sanders
Our Last Vacation

Sun rays beat through the blanket of blue,
as we lounge by the pool, estranged.

Steel spokes support a web of canvas
shielding aging alabaster from the burn.

Mojitos can’t quite quench your thirst for something new,
your mouth agape as you stare.

I can feel you yearn for the young bronzed beauty
sauntering by in her turquoise sarong. She

casually glances your way. Your reply: a wink
and a not-so-subtle, flirtatious smile.

I reach over to pluck the mint leaf stuck
between your guilty teeth.

Colin Bancroft – Atmosphere

Colin Bancroft
Atmosphere

I suppose if I were to compare it to anything
It would be snow. That moment of wonder
When you open the curtains on a morning
And find that the whole world is under
New conditions. Everything unwritten
And laid out with a brilliant innocence,
Every unsightly blemish neatly hidden
Beneath a moment that seems to be synchronous
With happiness. But it never lasts, as we know,
And soon it starts to melt down to slush:
The old dark world rising up from below
To lock us back into its inescapable crush.

Colin Bancroft – Marsden

Colin Bancroft
Marsden

Standing on this windswept headland you’d never know
That once there was a village here
With a colliery rising like the stacks offshore,
And houses, post office, shop: all disappeared.
Gone too the washing lines that flapped like gulls,
The Sunday morning chapel service
And young kids chasing their way home from school.
All deemed unfit to serve their purpose,
A way of life condemned to the history books.
I suppose it’s natural progression that things change.
Where would we be if everything were stuck
In Time? Still, standing here it feels strange
To think that all things that will ever come to pass
Will end up like these vague outlines parched in grass.

Róisín Leggett Bohan – Run

Róisín Leggett Bohan
Run

‘Eat up now love, you need your nourishment.’
       She’s leaning against the cooker, arms folded, smiling at me. Mrs Crowley is at the sink washing up Brendan’s breakfast things, she always does it for him.
       ‘She’s a feckin’ eejit cleaning up after him, can’t he do it himself,’ she says, chuckling away so much I can’t help it and let a burst of a laugh out of me.
       Mrs Crowley turns in surprise, her frilly apron sopping down the front with the suds coming off the bowl she’s holding.
       ‘What are you laughing at, Sophie?’
       She’s staring at me as if I’m mad or something, the dripping bubbles landing on the floor.
       She can’t see Mam.
       I look down at my cereal.
       ‘Nothing, just remembering a joke a girl from school told me, sorry.’
       She smiles a wary smile.
       ‘All right pet, finish your breakfast so and get ready.’
 
I lift my head and nod. I want to smile back at her sometimes but she’s not my mother. She tries to be nice, she wraps my pyjamas in a hot water bottle before bed and gets rice crispies for me at the weekend but I hate the way she calls me “pet”, I’m not a dog or anything.
       I look up to see Mam, but she’s gone again.
       I stare at the cheerios, the rings like little lifebuoys swimming in milk. I wonder if I dived into the bowl could they save me from drowning. But I’m not small, I’m tall and lanky, tallest eleven year old in my class. Mrs Crowley says ‘I’m a pull through for a rifle’. I don’t know what she’s on about but the way she says it makes me think it’s not a good thing. I spoon up the last few hoops, guzzle down the last of the milk, my mouth around the edge of the bowl. I pretend I’m old Father Hegarty saying mass at St Columbus.
        ‘Body of Christ.’
       And all the old people and me say back to him,
        ‘Blood of Christ.’
       Then he gulps down the last dregs from the chalice like a mad thing. I suppose he loves Jesus so much he wants to drink his blood. You wouldn’t catch me doing it. Anyway, it’s all fake, I don’t think there’s any blood in it at all.
 
 
I asked Sister Agnes about that once and she laughed,‘Oh, you’re a sweet child, do you know that my Sophie?’ And she wasn’t making fun of me like some grown-ups do when they think they know everything and I know nothing. I love it when she laughs, it’s like her face brightens up like a buttercup opening when the sun comes out.
 
The kitchen door bangs open. He’s always noisy, it’s like he needs to be heard before he’s seen, to send out a warning or something. Brendan is Mrs Crowley’s son, much older than me, goes to college.
       ‘Going to be a lawyer someday, my lovely boy.’
       Mrs Crowley always says that, proud as anything.
       He looks at his Mam.
        ‘I’m off so.’
       She fusses over him.
        ‘Here pet, I made you lunch.’
       Hands him over a plastic bag with ham sandwiches, a bag of crisps and a carton of juice like he’s still twelve or something.
        ‘Thanks Mam.’
       He throws his eyes up to heaven. One time he told me he never eats his Mam’s lunch, gives it away or throws it in the bin, buys a bag of chips instead. Maybe that’s why he has so many spots. Too many chips. He raises his huge forehead at me and grins. He’s much taller than me and has a long face, his lips are puffy, not like a normal boy’s. He comes over and squeezes my shoulders with his huge hands, I scrunch them up and give out a squeal. He laughs. Mrs Crowley gives out to him.
       ‘Stop at her, off out, or you’ll miss your bus.’
       He turns and laughs and doesn’t even kiss his mother goodbye. I’d kiss my mother goodbye if I still had one to kiss. I touch the spot on my forehead and remember the last kiss I got from Mam before she died. I look up and she’s here in the kitchen again, her red hair flowing down her shoulders.
       ‘A right little trickster isn’t he.’ She gives me a wink.
       I wink back when Mrs Crowley isn’t looking.
 
 
Mam and me used to visit Sister Agnes every Sunday. Well it’s not like we can talk to her or anything. Mam says she’s in an enclosed order. That means she has to be silent and not touch anyone and pray a lot for the world and us. When we’re at Mass I look at the nuns behind the grille and try to spot Sister Agnes. They’re all very holy, big brown veils with white trimming covering their heads. One time the sun shone through the coloured glass of the church windows and I could see little bright shapes on Sister Agnes’s face made by the shadows of the grille. I said to Mam once it’s like a prison but Mam says Sister Agnes is happy with God. She is my Mam’s best friend. Her real name is Sarah and she and Mam were like sisters growing up. Sister Agnes said she used to mind me when I was small and that I was a very good runner even then. We get to see her face to face once a year when it’s her feast day. I love feast days. I still go to Mass at St. Columbus every Sunday, but I tell Mrs Crowley I’m going to the running track. Mrs Crowley wouldn’t mind I’d say but she might want to come with me and I wouldn’t want that. It’s my secret with Mam and Sister Agnes.
 
I am fast. Mam says I run like the wind. ‘And wild is the wind’ she’d sing, she couldn’t sing for bananas. I won all the races at school sports last summer. Mam was there, screaming from the sidelines, I wasn’t embarrassed. I got through to the county finals but Mam had to go back to hospital so I couldn’t go. Mam was a runner, the fastest in her class too. I love running, it’s like the air goes into my ears and I can’t hear anything or think anything except to move my legs faster and faster. I don’t hear Mam coughing or catching her breath or the machines beeping in the hospital.
 
My hair is long and red like Mam’s but her hair fell out. She wore a woolly hat the nuns made her. Mad colours in it and silver stars stuck on. She called it her hippy hat. I hold it to my nose at night in Mrs Crowley’s house. I used to get her smell from it but I don’t anymore. I cried for two days after Mrs Crowley washed it. At least I still have my pink pyjamas with the horses, they’ve gone all thin from the wearing and I’m too big for them now but I don’t care. I made Mrs Crowley swear she would never throw them away. They’re the last thing Mam bought for me, the very last day I saw her out of bed. They let her out of hospital to go shopping with me.
       ‘Our special day together,’ she said, ‘just you and me.’
 
 
Well it wasn’t just her and me ‘coz Mam had to promise the doctor she’d allow a nurse to come along to push the wheelchair and mind the oxygen. She begged them. The doctor said no but the important older doctor said okay so, her hazel eyes big and round worked wonders.
       ‘If you don’t let me go I’ll come back and haunt you Mr. Hardy, all respects to you.’
       She half smiled at him. The poor man couldn’t say no, you can’t say no to Mam when she looks at you like that. The oxygen tank was hooked onto the wheelchair, massive thing. I lifted it for Mam once and she let out a shriek.
       ‘Jesus Sophie, don’t, you’ll break your back.’
       I think about that special day all the time.
       ‘Oh look at the horses on those pyjamas Sophie, they’re galloping like you.’
       She treated me to chips and nuggets and a blue slushie. She wouldn’t eat a chip though, not even a sip of her coffee. Mam used to love her coffee.
 
I’m strong, I know I’m strong ‘coz Mam always told me. It’s what she told me that day in the bed with the tubes coming out of her arm and the beeping of the machines too loud.
       ‘You know darling, when I’m gone you’ll be strong won’t you.’
       ‘I started to cry but then I stopped myself ‘coz I could see her eyes go sad.
       ‘Listen love, it will be hard at the start but it will get better, Mrs Crowley is doing a good job looking after you and the social worker says she’s such a nice lady and her house is near the running track and Sister Agnes.’
       ‘Love.’ The spaces between her breaths were really short, like she was drowning.
       ‘Listen, you’re a strong girl, and I don’t just mean those running legs of yours, I mean your spirit, the thing that’s inside you, your heart, your heart is strong. And when I’m gone….’
       I tried my bestest not to cry, I could feel a knot in my throat but I swallowed instead. She took another big breath of the oxygen.
       ‘When I’m not around anymore I’ll always be here inside you.’
       ‘She put her hand on my chest.
       ‘And here,’
       Her hand on my head.
       ‘And here.’
       Then she chuckled and touched the tip of my nose. I felt better that she was messing with me and I giggled back and tickled her neck.
       Oh, you’re a saucy one aren’t you, come here.’
       I fell into her arms and I could feel wetness on her chest from tears, I didn’t know if it was laughing tears or crying tears or even my tears.
 
 
The week before Christmas and Mrs Crowley’s friend is at the front door. They’re off to the bridge club Christmas party. I’m supposed to be asleep but I’m gazing out the window. It’s snowing and I wish Mam was here to see it.
       Mrs Crowley calls,‘Brendan, make sure you leave the landing light on for Sophie.’
       ‘Alright Mam,’ Brendan answers from his bedroom.
       ‘And study, remember, exams tomorrow.’
 
       ‘Yeah, Mam.’ Brendan calls back but this time he sounds annoyed. The front door closes.
       Their voices dwindle off into the night.
 
A few minutes later there’s a knock on my door. I scramble into bed.
       ‘Sophie, you awake?’
       He doesn’t wait for an answer, just walks in.
       I sit up.
       ‘There you are,’ he says as if he’s surprised or something. ‘I wanted to show you something, come on.’
       Nods his head sideways to show me to follow him.
       I grab Mam’s hat from under my pillow, I don’t know why.
 
‘Just sit here Sophie, have a look at this.’ He pats the bed and gets his laptop.
       His room is full of huge books about law and smells of half dry clothes and rotten socks. I don’t like this room, don’t like the way his voice sounds.
       ‘Look at what?’
       I sit beside him but not too close.
       He presses “play”.
       The video is people’s bodies doing animal things, making awful noises.
       He’s watching me watching
       Goes for his pants’ zipper.
        ‘I don’t want to look at it,’ I say and go to stand up but he pulls me down on the bed.
       ‘If you don’t I’ll have to tell my mother and she won’t believe you, you’ll have nowhere to live.’
       He grabs my hair and pulls my head down to his lap.
       I feel my stomach turning, vomit all over his pants.
       ‘What the fuck!’
       He jumps up, knocks me in the eye so hard I fall down.
       ‘You bitch, I’m going to call the social on you,’ he screams, all the while trying to clean my sick off his pants.
       I see Mam in the corner of the room, she’s fuming.
       ‘Get the fecker Sophie, hit him where it hurts. Quick, go on, you can do it.’
       Something inside me falls apart and goes crazy at the same time. I grab a book called Criminal Law in Ireland, clatter him on the side of the head, then bash the book into the zipper of his pants.
       He curls up like a hairy centipede and lies on the floor screaming.
       I run down the stairs, out the door.
 
 
Running through the snow. One slipper on, the other fallen off. My eye stings. Snowflakes fall on it. My heart pounding in my eardrums and I’m soaked. I feel like a wild horse breaking free, galloping like the ones on my pyjamas.
       I sprint across the road, dodge the cars beeping their horns. Outside the shopping centre a Santa Claus is ringing a bell.
       ‘You alright love?’ he shouts.
       I don’t stop. I keep running.
       I think of Mam running alongside me, she’s not out of breath and she’s smiling.
       ‘You’re alright, Sophie. Remember you’re strong, just run love, run.’
       My tears feel like icicles on my face, I wipe them away, then I see I’m still holding Mam’s hippy hat. I put it on.
       I don’t know how long it takes to get to the convent but all I remember is that I’m banging mad on the door. An old nun opens the slat and squints out at me. I recognize her from Mass. She opens the door. And talks to me nice and soft.
 
 
‘Come in child. Where are your clothes? Why are you in your pyjamas?’
       I don’t know what to say, I can’t tell her about Brendan and the awful video and him unzipping his pants. My whole body is shivering something terrible and I can’t stop. My teeth are chattering but I get the words out.
       ‘Sister Agnes, Sister Agnes please.’
       The nun knows my face from the Sundays, she wraps her shawl around me.
       ‘Wait here, child.’
 
I’m waiting in the tiny room, Holy Mary is in a picture on the wall, she’s looking up and her hand is on her heart. I think she’s sadder than me. Sister Agnes hurries in, all calm and her skin so white. She stands before me and looks at me. She takes my hands in hers. A tear catches the edge of her mouth.
       ‘You’re the head off your mother,’ she whispers.
       She wraps her arms around me and the rosary beads hanging from her belt push into me but it’s the best hug I’ve had since Mam died.
       I open my eyes and see Mam standing under the picture of Holy Mary. She winks at me and I wink back.              AQ

Keith Brighouse – Olivetti

Keith Brighouse
Olivetti

in the future when the electricity stops
and the electronic screens into the world have shutdown,
in a darkened room, which is sauna hot,
where candlelight casts dancing shadows about the wall,
I will take my old Olivetti from the cupboard
its old ribbon re-inked with a home-made concoction
and I will type a poem like this, about the end of civilization

my window will be my last remaining screen
looking out over the encroaching salt marshes
the snaking sea grasses and rushes that rise like spears
the sun, red as a blood orange, will float on the horizon
menacing, as the mouth of a smelter, from my days in the foundry
the reds, oranges, and whites of liquid metal
poured, spitting anger and fury into a crucible

I will wonder what creature will dominate after man:
a quivering biological blob, resembling a children’s toy
or some dextrous anthropoidal crustacean of sharp intelligence,
either will do better than man, whose intelligence
became peacock feathers for decorative display, who
unable to adapt, tried to adapt the world to his needs
and is now victim of his own evolutionary flaws

my poem in a bottle, I will cast it into the marshes
where it will survive for countless aeons
until a spidery hand plucks it from the marsh
or maybe digs it up while foraging, eyeballs it in wonder
that what the creature had discovered
looked like the work of some primitive intelligence
a message or maybe a warning, out of the distant past

I will sigh and look up at the seemingly permanent stars,
which once had a beauty that filled a man with awe,
now mock him with their indifference
as the tide begins to lap about my feet
the end is no biblical revelation, no indignant god
smiting sinners and sparing the righteous
just incremental disintegration and decay

my poem already on its journey into the future
I will open my last bottle of whisky and watch
silver clouds frothing up like boiling mercury
billowing and belching from the underworld
orange-red flames fanned across the swamps and marshes
as a new and yet unknown creature scurries
comfortable in its habitat, across the swamp

Roger Camp – One Hundred Pairs of Eyes

Roger Camp
One Hundred Pairs of Eyes

It’s a small bus,
its banked windows
showcasing the Gulf of Tonkin
as we crawl up Hai Van Pass.
Mounting the summit,
a flatbed truck
stacked with wire cages
passes us, each compartment
contains a single dog, each dog
a clone of its neighbour.
The breed is unremarkable,
the face ordinary, the dingy
coat, yellow.
The same mutt
seen everywhere in country
four decades ago.
They drift by at eye level
studying me,
one hundred pairs
of deadpan eyes
searching mine.
Dead to me,
dead to the coming ambush
at journey’s end.

Joe Cottonwood – Zoology: A Case Study

Joe Cottonwood
Zoology: A Case Study

See the soft soul
of one chiseled girl
in a vast city, Baltimore,
surreptitiously tipping books
to learn of ovary, sperm, egg,
singing in the Episcopal choir.

Her beauty is her enemy.
She escapes the choirmaster
to a poor school staying late to peer
through the one and only microscope
pursued by boys, men
watching cells replicate, grow
feeling twin passion
a brain for science, a womb for womanhood.

A chance for university, scholarship
encouraged by a father of no education.
In the Great Depression she boards the train
for St. Louis, for biology
as a discovery, not a trap.

Sixteen years at a microscope
over Drosophila chromosomes,
a woman in a man’s lab.
All the good men go to war.
A professor steals credit.
Sixteen years. Half starved, doctorate
achieved, war ended, Japan radioactive.
Love unleashed, last egg saved.
I’m born.