Darya Danesh – Chapter 1

Darya Danesh
Chapter 1

Tuesday, 1 September 2015, 15.30

 
All I can remember is that Fedde and I were laughing.
          He had proposed in July, just a month shy of our first anniversary. We’d been officially living together for less than three weeks and I was happier than I had ever imagined I could be. We were always laughing about something or other.
 
I wish I could remember why we were laughing then, but the knock on the door and the events that followed drown out that part of my memory. It had already been a long day since being admitted to the hospital with a high fever, but seeing those four White Coats walk into my private room promised that it was going to be even longer still.
          ‘We have the results from your test,’ began Dr Schwartz, who came and sat closest to Fedde and I. Dr Schwartz was my kidney doctor. He’d been treating me for lupus nephritis—an autoimmune disease that attacks the kidneys—for five months prior to this and had sent me for a bone marrow aspiration earlier that morning. If there was anything I was grateful for at that moment, it was that I could find solace in having a familiar face in the room.
           I was attached to an IV drip and was receiving antibiotics for an infection that got me in here in the first place. We were already confused about being put in a fancy, private room in the oncology ward—‘What is oncology anyway?’ I had asked Fedde when we arrived—so when Dr Schwartz followed his announcement with ‘the results are bad,’ I didn’t quite understand. The possibility of a “bad” result hadn’t once come up…
           The doctor sitting next to him, an older bald man who I came to know as Dr Tower, the head of haematology (the department that looks after blood diseases), took over the conversation. ‘First of all, I’m sorry it took us so long to make our way up here, but I had to check 500 sections of your samples’ slides before having a definitive diagnosis.’
           There was tension in his voice, tension I couldn’t quite place. I could feel the eight eyes of the White Coats on me while Dr Tower continued.
            ‘I examined the slides from your bone marrow aspiration this morning and we can see leukaemic cells.’
 
           Leukaemic.
 
           My brain tried to comprehend the word as he continued: ‘These kinds of cells are aggressive and fast growing. Though the percentage in your marrow is only about 12 percent, it is likely that within weeks it will grow to an official diagnosis of Acute Myeloid Leukaemia.’
 
           Leukaemia?
 
           Acute? What now?
 

***

 
I was booked to have a bone marrow puncture and aspiration at 9 o’clock earlier that morning.
           You probably have never heard these words. Neither had I until Dr Schwartz uttered them to me last Wednesday. I had originally thought it was what Hugh Laurie’s House and other television doctors call the dreaded ‘lumbar puncture’. But that was the one that had to do with spinal fluid. My test today was one where you take fluid from the hip in the lower back through a hollow needle. Not much more appealing if you ask me.
           We had arrived at the clinic fifteen minutes early, but even that was early enough to find the lights were off, the door was locked, and there was no attending nurse to be found. When the nurse, who introduced herself as Lisa, finally arrived, we were moved into the outpatient clinic and I was sat down in a big, orange reclining chair. Lisa told me to get comfortable while she signed me in and prepared to insert an IV into my arm.
           It wasn’t the first time I’d required an IV drip. Thanks to my lupus nephritis diagnosis, it had been less than three weeks since the last time I’d needed an IV line inserted. I’d had a big, painful cyst on the back of my leg that had led to a staph infection. There hadn’t been a single accessible vein in either of my arms and it took three nurses and lots of painful jabbing to finally insert the IV into my left hand. Needless to say, when Lisa started today’s search I was scared.
           To calm my nerves and assist my body in handling the bone marrow puncture, Lisa gave me a light sedative through my newly placed IV line. Dr Schwartz had promised me a painless procedure. He had said that I would likely forget it as soon as it was done and that’s what I was counting on. Likewise, Lisa promised I would drowsy and fall asleep, barely feeling a thing.
 
By 9.15am I was entering the adjacent procedure room.
           I was instructed to lay on my side on the examination table and look towards the wall so that my back would be facing Dr Vanderbilt, a resident haematologist, who would be doing the procedure. I did as I was asked and took a deep breath, trying to keep calm.
           Dr Vanderbilt, explained what she was doing step-by-step, the way you’d expect a 1980’s instruction video to teach a doctor how to make their patient feel comfortable. ‘I’m just getting my tools ready,’ she said softly, ‘and then I will give you a lidocaine injection, that’s the local anaesthetic we use to numb the area.’
           Much like when a dentist numbs your mouth before inserting a filling, I felt a slight burning sensation trickle across my lower back. When she touched it moments later to find the proper insertion point, I felt nothing. So far so good. What I hadn’t realised was that getting to the bone marrow—that’s the gooey middle part of your bone, by the way—meant literally screwing through my hip bone to get to the centre of it. I learned very quickly that that is something which cannot be frozen by anaesthesia. I had just finished telling both Lisa and Dr Vanderbilt that I wasn’t a screamer and that I had quite a high pain threshold, but within seconds I felt like an utter liar.
 
           Lisa took my hands in hers to try and keep me calm and quiet. I wasn’t aware that I could even make sounds like the ones that were leaving my mouth, nor at the volume with which they were coming out. I didn’t realise that it was actually possible to be screaming in agony, with tears streaming down the side of your temple and into your ear, without being able to do anything to stop yourself.
            ‘I’m so sorry, I’m really never like this, I swear,’ I sobbed, ‘but this hurts so bad.’
           At this point, while Dr Vanderbilt was twisting a screw into my hip bone, I was being given another dose of the sedative. I was still sweating and screaming from the pain. Between reaching the centre of my hip bone and the aspiration of three vials of bone marrow, all I can remember is searing agony and more screams.
 
Eight seconds later, it was over. Eight seconds in reality, but what felt like eight hours in my head.
 
Dr Vanderbilt apologized for causing me pain, told me I was brave, and patted my shoulder before she left the room. I knew she was trying to be kind, as opposed to treating me like a little kid in a doctor’s office after getting a flu shot, so I tried to smile and thank her. Lisa let go of my clammy hands and opened the door to let Fedde in. He took Lisa’s place beside me and squeezed my hands tightly. We were trying to have a conversation, but I could feel myself coming in and out of consciousness. The sedative was finally kicking in.
            ‘I wanted to barge in and make them stop hurting you,’ he said, ‘but I had to bite my tongue and try to read my paper. Are you okay, now?’
 
         That’s the last thing I remember before falling asleep.
 

***

 
‘I need you to know that we have double and triple checked all the slides. It’s definitely your file. There is no mistake.’ Dr Tower took a breath, giving the words a second to sink in. ‘This is a treatable disease, Darya, and we are going to do everything in our power to make you better.’
           I took a deep breath and managed to blubber through my sobs: ‘But what does that mean?’
 
            ‘Cancer,’ he said simply. ‘Leukaemia is a blood cancer.’
 
           That’s when it sunk in. This wasn’t just lupus anymore.
 
            I had cancer.
 
            I had fucking cancer.    AQ

William Doreski – Winter Approaches Harrisville

William Doreski
Winter Approaches Harrisville

Old brick mill buildings nosing
forward into December,
eager for the new year when
small frozen rivers resolve
and citizens like us repent.

With most of a century wasted
on the human project (the curve
of the earth flattened, the point
of vanishing point perspective lost),
I lean against a cold northerly,

unable to distinguish post-
Canadian gray from local
shades, the ice rim of the lake
sharper than a guillotine.
Whoever devised such cruelty

should languish on the bottom
long enough to cringe as tightly
as a rosebud plucked too soon.
You say it’s only nature
applied with strokes of an old-

fashioned Speedball pen, the kind
cartoonists used last century
when we still retained our humours.
You remind me that when the lake
has sealed itself we can cross it

and count the drowned faces peering
up through the optical ice.
Do you recall how many we saw
last year? The year before? The mills
used to grind people small enough

to stop caring that their hands hurt.
The low pay guaranteed misery
so thickly upholstered in snow
that no one noticed the neighbours
had also lost fingers or limbs.

This year we should walk the ice
after dark, see if the faces glow
with the phosphorescence of decay.
Maybe this time we’ll remember
how many, what they have to say.

Claudia Gary – Guidance

Claudia Gary
Guidance

What can go wrong if Mama, a fine artist,
cuddles you in her lap, places a crayon
in your right hand, then takes your hand in hers
and draws a line with you? What can go wrong?

The crayon breaks, but you can choose another.
The paper tears, but she can turn the page.
The table wobbles, but here is a fold
of cardboard to put under one of its legs.

The dog is howling at a fire engine—
another mimic in the house. And next
some watercolour. This is fun. The dish
of water spills. She mops it up. You take

the brush in your hand now, all by yourself,
and your brushstroke resembles hers. A gift,
an artist for a mother. What can go wrong?
Your Mama wonders how long this can last

before she breaks. When she was a young girl,
her own mother would often slap her face
in front of all her cousins. But for now
she takes your hand, guides it across the paper.

What can go wrong?

Gene Groves – Black Hole

Gene Groves
Black Hole

          Black holes ain’t as black as they are painted—Professor Stephen Hawking

On a catwalk you would shine,
have the glow of good health
light reflecting foundation, smoky eyes,
barely black mascara,
not iridescent, not in the glare of cameras.

A long walk for you
with your family history of collapse,
yet you’d shimmer,
elegant in the new black,
Hawking radiation.

With each step you’d shed
a tinge of colour from your skin
till you evaporate into interstellar dark.

Robin Helweg-Larsen – Bring On the Violins

Robin Helweg-Larsen
Bring On the Violins

Bring on the violins, the falling leaves,
the wistful ending to a misty day.
The long game’s over and we ride away
to sunset Heaven that no one believes.
Our world is dying, yet here no one grieves:
Earth warms, seas rise, but Wall Street’s still in play…
and we ourselves are aging anyway.
We all face death, and there’ve been no reprieves.
And yet, and yet…robotics and AI,
gene therapy, unlimited life span,
promise an almost-here-and-now sublime,
an unknown life, with our old life gone by.
Trumpet a fanfare for the Superman,
music for dancing to the end of time.

Dianne Kellogg – Beginnings/Endings Photos

Dianne Kellogg
Beginnings/Endings Photos

Dianne Kellogg is an Ohio native who has spent the last fifty years in northern Ohio’s rural snowbelt. Arctic blasts and strong winds off of Lake Erie can dump half a metre or more of snow overnight, collapsing roofs, knocking down trees, and making roads impassible for days. The end of winter brings maple syrup tapping time and the first blossoms, daffodils, a symbol of Kellogg’s Welsh heritage.
      Kellogg has a BA from Hiram College. She studied watercolour under Florian Lawton and she has worked as a muralist and interior decorator. Having retired from governmental fund accounting, she now has time to pursue photography, poetry, and watercolours.
 

Dianne Kellogg, Snow Collapsed Barn Roof, photograph, 2017


 
 

Dianne Kellogg, Fallen Tree, photograph, 2020


 
 

Dianne Kellogg, Daffodils, photograph, 2019

Sigrun Susan Lane – Extinction of the Great Auk, 1844

Sigrun Susan Lane
Extinction of the Great Auk, 1844

The Auks came ashore in May to breed and lay
their one large egg on barren rock, no nest.
Remote, the rocks were swept by Arctic spray,
bird colonies gathered there to mate and rest.
Months at large in roaring sea,
birds at home in the northern depths,
they found their way to Iceland’s Eldey,
two Great Auk, their final egg.
Two fishermen rowed out to kill them for their fat,
their meat. Their egg—a misstep—crushed.
The men grabbed the Auks, snapped their necks.
They bled the birds, cut them up and rushed
to sell the meat, piece by piece, the bodies on a stick.
Sold the skin, feathers and all, on the road to Reykjavik.

Susan E. Lloy – Flipside

Susan E. Lloy
Flipside

She had a system. It had proved to be a useful tool throughout her life, which is near the closer end of finish. She had kept the same mundane job, which bored her to death, yet stuck to it because it had a skimpy pension plan. She settled in the same crap rental for countless years in order to harvest affordable living increases, even though the neighbours came and went, and with them her nerves. Continually adjusting to new inhabitants with their noises and particularities. Often, she felt like packing herself up in a box and mailing it off to some unknown exciting location.
           Now things will change. She is heading back east. A place she hasn’t lived for forty years. Sure, she has visited countless times; nevertheless she is wary of her homecoming. Hell, she doesn’t even know anyone there anymore. However, the sea beckons her.
           If one is from these parts the blue is hard-wired. Something that calls you back, something you can’t resist. Something so full of desire one can never resist its briny wet kiss. Now she’s left a place she has lived for most of her adult life and from years of hoarding, has been able to buy a humble abode in a place she has never been. The price was good and it has a sea view, but conveniences are far away.
           She was accustomed to have all that is necessary within walking distance. Great speciality shops, pharmacy, hardware to name a few. Now she is solitary amongst fog and multi-coloured Lupins, a large rambling yard that she knows will be too much upkeep and a lengthy driveway that will prove laborious with dense snowfall. She has put herself in surroundings that go against all before.
 
She doesn’t know a soul here and there isn’t even a shop to post a note for a handyman. She looks online, but small towns are far away. She is fussy when it comes to atmosphere and likes her things placed in aesthetically pleasing fashions. Still, things must be installed. She gets out her electric drill and begins organizing fifteen wooden shelves to be mounted on one white wall.
           They must be mathematically calculated so that they will be even and symmetrical. She grabs a few screw fasteners while standing on a stool and starts from the highest point. Each time she attempts to install a fastener, the old wall crumbles as if riddled by machine gun fire.
           Framed glass-encased photographs that she obsessively rearranges in order of history, sentiment and lost youth are strewn across the floor. These recordings of time make her feel less isolated as if she is enveloped amongst old lovers and friends. She eyeballs the frames and marks the wall with a thin pencil point, however once installed they are entirely uneven and another wall has been peppered with small nail holes.
           She lets out a slow moan looking in the antique mirror resting upon her great grandmother’s Mahogany bureau. Fuck, Izzy. What was in your head? Why did you come back here? But she has moved here and must make the best of it. All order blown away as if taken by the North Atlantic’s ornery winds and it is beginning to feel as if a bad omen has descended on her modest seaside home.
           Izzy never drove, but has maintained her licence by paying the yearly fee. She had been too nervous to drive in Montreal with its angry, aggressive drivers, but here she needs a car and hit Kijiji, buying one quickly. She naively took the word of the seller that it is, in fact, a good car. He was simply selling because he required a larger vehicle.
           The mileage is reasonable and he provided invoices of recent brake work and oiling. Even a set of winter tires, were part of the deal. She drives home taking the back roads to get comfortable with the car and, although she hears strange sounds from the engine, Izzy feels free, perhaps for the first time, in her life.
 
Winter comes early. November swooped in with all its gloomy might and with it—snow. At least twelve centimetres have fallen and no end in sight when Izzy looks out from her kitchen window. She hasn’t bothered to buy a shovel yet, and curses herself for procrastination. Her car is close to the house and she will need to sweep and grab a dustpan to be able to access the road, which will likely take hours. By the time Izzy has cleared the drive she is close to collapse. Totally surprised that she hasn’t dropped dead on the spot from a coronary. Imagining that someone would discover her in the spring half-eaten by maggots. A sad little tale that will stick to these shoreline folk like a starfish to a rock.
           She shakes the idea from her head and looks up at her house with its blue shingles and white vinyl siding melting into the snowy backdrop. She feels lonely here with only the wind nipping at her face. Her feet half frozen to the ground. Smoke from the woodstove rises above the darkened clouds as if trying to escape to an uncharted solar system. With her cold feet, she returns to her home realizing that the steppingstones she has journeyed were unsound. Isolating herself in this companionless part of the world.
           The home was to have been her haven, but it is a mess with tools, shelves and frames scattered across the rooms. She can’t even watch television or Netflix, as it will be another week before the Internet is connected. Never imagining in a thousand lifetimes this scenario when she was living in a city, far away. There isn’t one yummy morsel to eat. As she stands before her living room window she looks to the sea, ominous and unforgiving.
 
The following day Izzy drives to the nearest town to buy groceries, wine, beer, and a carton of cigarettes. On the return trip she hears grinding and clicking reminiscent of her father’s workshop with its drills and planers. Jointers and table saw. Lathe. Envisioning all the machines working in a furry as she drives along the coastline. Without a doubt, there is a major problem with the car and she curses the seller – wishing him erectile dysfunction and anal warts!
           She hasn’t been to the beach yet. Locals say it is the most beautiful beach in Nova Scotia. Izzy loves a beach, but then who doesn’t? She is especially drawn to the deserted ones at this time of the year with limited light and a sombre tone. She hopes the solitude will centre her. She wishes to touch her seclusion. Taste it. Try to decode her reasoning for immersing herself in these surroundings. Inhabiting a house full of messes and failed handywoman executions.
 
If she were in the city what would she be doing? Sitting on the sofa drinking one-too-many Coronas. Feeling her bloated belly jingle each trip to the fridge. Wasting her time flipping stations and fuming that HBO has become repetitive and boring and still expensive. Annoyed by the noises of her neighbours, their vacuums, televisions, music and sexual moans.
           Perhaps, she would have ventured out for takeout Thai to escape them or strolled the streets. Gazing in the windows of others. Imagining their conversations and decrypting body language. Questioning, why do I need to live here? Rereading The Andy Warhol Diaries before bed, which make her feel like a loser with her near non-social life. All the while, Andy and his consorts are whipping it up at The Factory or Studio 54 with one party after the next.
           She makes a grilled cheese sandwich and sits before the living room window watching the grey sky. She thinks back to her childhood that she spent with her parents, cousins, aunt and uncle. Swimming in lakes at summer cottages and before that, camping each summer. How she was always in trouble for mischievous behaviour.
           Izzy remembers running from a lake to the campground ahead of her cousins and telling her aunt, who was eight months pregnant, that her cousin, Lily, had drowned in the lake and her other cousin didn’t know what to do, so he was just looking at her body floating in the still water with a halo of reeds circling her head.
           Izzy thought this quite hilarious, though then she was very young. She upset everyone. So much, in fact, that her aunt, uncle, cousins and her parents packed up their tents and headed off to their respective homes. Izzy got seriously scolded and remembered a Wild Canary hit their windshield and died on the way home. Now, all her kin have passed and there is no one left to relive these yarns.
 
Izzy cranks the engine and hears an awful clamour from under the hood. Undaunted she turns the beast around the drive and heads to the main road, which leads her to the beach. The road in is plowed to a gate, but from then onwards she must walk. She pulls onto the flattened snow and parks. The engine rattles and protests until it finally quiets and stills. She takes the long path with mounds of snow softly rising on each side. As she approaches there are wisps of sea grass stretching towards the sky. Others are trodden down by damp snow. Along the shoreline, where the waves break the edge, a few seagulls peck the sand. There is a loon bobbing not far from shore and its lonely call seeps deep within her.
           She has brought a thermos of tea and a blanket to sit on. The wind is light, but there is good surf off a point at the far left section of beach. A rock outcrop, about a quarter mile, stretches beyond the last stretch of sand and to her surprise she spies a figure on a surfboard patiently awaiting a decent wave in the dark swell. The figure occupies all of her concentration as she watches, what she assumes is a man, riding wave upon wave. Izzy sits there until her tea is long gone and her feet feel frozen to the ground.
 
The surfer has vanished too. She picks up a few beach treasures along the shoreline before heading back to her car, yet when she arrives the engine won’t start. She curses her ignorance of motors or the inner workings of mechanics and Izzy begins to cry. She is raw and shudders at the mere thought of walking to the main road. The blanket she has brought is damp and stiff and has begun to freeze. She thinks to herself, Fuck, I can’t even call an Uber.
           As Izzy pounds the car with her fist and kicks the wheels with her near frostbitten feet she hears footsteps in the snow. A figure wearing a black wetsuit emerges from the path carrying a surfboard under his arm. He is covered in frost and a series of tiny icicles hang from his facial stubble.
            ‘What’s the trouble? Are you alright?’
           Izzy cries so hard she finds it difficult to stop shaking.
            ‘It won’t start.’
            ‘Oh, that’s nothing to be so upset about, now.’
            ‘You, don’t know the half of it. Everything here is shit.’
            ‘Come on, it can’t be that bad. Why don’t you come with me and get warmed up. I live very near to the beach. In fact, just up from the left side of the shore. I’ll give you something to warm your bones.’
           Izzy gulps back her tears and agrees to follow.
            ‘I never felt this cold in my life.’
            ‘I’m Bob, by the way.’
            ‘Hello. Izzy.’
           This is untrue, as she has felt miserably cold many times in Montreal with its horribly frigid, endless winters. She follows behind him on the narrow path. Up ahead stands a trailer with smoke rising from a narrow chimney pipe. She can smell the fired wood hanging in the twilight air. The sky is a deep teal and the stars have joined the night.
           There is an old battered sign mounted to a post in the ground, which reads
            ‘Barrels Or Bust’ on the entrance to the property and a broken-down-four wheeler with two flats parked to one side. A handsome fire pit made of beach stones rests just short of the trailer and one can catch a good view of the sea. Three surfboards are piled up against an outbuilding.
           As Izzy enters the door she feels at ease. Perchance it’s merely the warmth of the inside air from the wood stove providing instant comfort, like a tight long-felt bear hug.
            “Make yourself at home, Izzy. I’ll just get this surf garb off.’ Bob motions for her to sit at a table and pours a generous neat whiskey. He goes into some darkened passageway and draws a curtain. She hears snaps and assumes the quick stretch of rubber, then a shower running in the back.
           The trailer is rundown, but there is a homey atmosphere about it. Seashells and surf books align the living area. Pots hang from a hook on the ceiling. Bob reappears soon after with a flannel shirt and corduroy pants. He is of similar age and unquestionably attractive.
           ‘So Izzy, are you feeling your toes again?’
           ‘Sort of, I mean yes. The fire and whiskey help.’ He smiles at her. She notices many framed photographs of a surfer hanging on the wall and resting on a shelf. She sees an article Nova Scotia surfer ‘Surfer Bob’ wins again, in a framed clipping from a newspaper, and next to it, a photograph of a surfer gunning the barrel of a giant wave.
           ‘You surf! I watched you the entire afternoon. I’m amazed that you can tolerate the cold, especially at this time of the year. I grew up in Nova Scotia and even in summer its unbearable.’
           ‘One must love it and dress accordingly. I’ve surfed these waters since I was a boy. Can imagine no other place I’d rather be. This spot is serene and there aren’t many folk around, which suits me fine. Have you ever been on a board?’
           ‘No. No. Not me. When I think of it, I envision warmer waters.’ Bob pours Izzy another drink and tells her a little about himself.
            ‘We’ll look at your car tomorrow morning. I’m pretty good with engines. You can take the spare bed in the back.
           As she looks up into the darkness through the old skylight, flurries begin to fall. They drift slowly down joining her thoughts that have settled on this stretch of shore.     AQ

Nathan Alling Long – The Still Lake of the Night

Nathan Alling Long
The Still Lake of the Night

The window was open just enough to let in the cool night air. A windup clock ticked forward the seconds, as though trying, laboriously, to prove the existence of time. Otherwise, the night seemed to move neither backwards or forwards, but felt to Ariel a kind of dark pool in which she sank her whole body. The blankets pulled up to her chin felt like to be the waterline, and she lay there feeling like a creature cocooned, waiting to be born.
             Her body was calm but she was not sleepy, and the cool air kept her alert. But there was nothing to take in. She blinked in the darkness to see if any light might appear, but nothing did. Without light, without being able to watch something in the light, even something as small as the second hand of the old metal clock, she had a hard time believing that the night was moving forward, that it would ever cease.
             She was in this cabin just for one night, a place offered to her by a neighbor back home in Rochester, who came up here to Maine to vacation in the summers. It was now early autumn, and she was on her way back from Nova Scotia, where she had visited her girlfriend, Holly, who had moved there to be a school teacher for the year.
             The visit had not gone well, and though they did not fight, except once, and did not talk of breaking up, she knew by the end of her stay that it would happen, in the months ahead, at the latest, by Christmas.
             There was a quality in their voices when they both said goodbye and I love you that suggested fatigue, a waning light. On the car ride down to this cabin, she’d thought about Holly, about their lives, their three years together, and the start of this year with them apart. She’d seen how it seemed simply a long slow moving away from each other from almost the moment they’d met, a bright flash of fire from the match that had dimmed as it burned up the stick, until there was nothing left to hold, no fuel left to burn.
             She’d gotten to the cabin an hour before dusk, and after putting away the groceries, she’d sat on the screened in porch and watched the sunset over the trees, a glimpse of light reflected off the pond at the bottom of the hill.
             Then she’d got up and went inside, turned on the lights and started to cook, a salmon she’d bought at the local store, potatoes, and a salad of greens and tomato.
             She found ingredients for a dressing in the cupboards and a half empty bottle of white wine in the fridge, which she sipped while waiting for the potatoes to roast. Given these tasks, she was kept busy and did not think of Holly, of her trip up there, of their future.
             But after eating and washing the dishes, after a quick shower and reading a short while in bed, after the setting down of the book, the clicking off the light and laying the pillow flat, these thoughts returned, there in the still pool of the night.
             She was thirty-five, had had several relationships before this one, with years of being single as well. She was not too old to find someone new, not so young as to think Holly was the only one. She had worried about the future enough times in the past to know that it did no good, but here she was again, on the brink of uncertainty, and as she grew older, each time it felt more ominous, more uncertain.
             A spot on her forehead itched but she kept her hands still beside her body and let the feeling gnaw at her a while, a pinprick of irritation that seemed to bloom by thinking about it. But to feel something so certain, with such clear parameters, was somehow a comfort. It was a discomfort she could endure, and so she did.
             But this other thing, larger, more nebulous, foreboding, it hovered at the edge of the pond, like a giant bear, waiting for her to return to land. She could share these thoughts with Holly, ask to talk about it all, though she knew her new job was challenging, stressful. To talk of the relationship would be more stress. To express her fears–that they were drifting apart–would be in some way, bringing them into the light, making them real in a way they were not if they were never spoken.
             Was it that there was no way to save what they had? Was it that they were a stick that had burned out its course? Say what you will to a match, but it will not last longer than it can.
             Was it best to just call and end it swiftly, move on, as they say, as swiftly as she would from this cabin, once dawn came, if dawn ever came? To tidy up and leave behind the beauty and comfort and darkness of this place where she had dwelled?
             Against all this, the clock ticked on. It must be a battery operated, she thought, as a wind up clock would have wound down by now, a month after her neighbor was last at the cabin. Unless someone else was here and wound it up, she thought and panicked.
             What if someone were there now, in the cabin, waiting all this time, hiding in a closet or in the basement—if there was even a basement? Why hadn’t she checked before going to bed?
             But no, these are just your fears, she told herself, fears of the dark. The road to the cabin was long and there had been no cars. There would be no reason someone would go down here, and if they had, no reason to hide without a trace just before she appeared.
             Yet, there was the half-finished bottle of wine. Why would her neighbor leave such a thing? She recalled her saying something about returning before the frost, to shut down the cabin for good. Or had Ariel just made that up?
             Ariel wished now that Holly was with her, that she could have driven with her half way back at least, then taken a bus back to her new home. How nice to get a weekend, or a half weekend away together. She could have driven Holly to a bus station in the morning. If she were here, they would talk, she would be free of the stress of her work, they might find one another again, as they say, there in the pitch dark of that cabin in Maine.
             Talking was not the answer so much as just being together, even lying silently in the night, the cool air brushing in from the window. Then time would feel like it were moving forward. Then the morning would come to soon and it would be the goodbye-ing all over again, but this time sweet and tender and I love you would mean something, with both of them regretting their long journey alone.
             Even the sound of the clock would be a pleasure, an annoying joke they would share. And perhaps Holly would get up and muffle the thing or take it downstairs to silence it. Or perhaps she would, feeling confident to get out of the safety of her bed and walk through the dark, strange new house. But here alone, she did not dare. The sheets, the still complete dark and silent night was the only thing that seemed to protect her, the only thing that seemed certain. If she rose from the bed, if she disturbed the night with her footsteps and stumblings, who knew what might choose to disturb her in return?
             Ariel tried to imagine the sound of the clock as tiny waves lapping slowly against the shore—the shore of what, she did not know. In this way, for a while, she imagined swaying slightly to the rocking of the waves suggested in the sound of the clock. What time was it? It was only a quarter to nine when she went to bed. What if she fell asleep and woke still to darkness? There was nothing worse than not even having sleep to look forward to.
             And all this worry, all this fretting and imagining, had exhausted her a bit. Or was it the wine, the warmth of the blankets, the weight of the dark on her eyelids and consciousness?
             But then she wondered what it would be like, if she fell asleep in an endless night, if she had an endless sleep. What if these were her last conscious moments in life, if she were to die here in this cabin, alone, or worse, slip into an endless coma?
             A spike of fear startled her. Sleep now seemed the worst thing, the enemy which had almost enticed her to be a friend. The clock seemed now to be laughing slowly at her, ha…ha…ha… as though it had known the joke all along.
             She thought of last night, of holding Holly as she slept, how it was both a comfort and an uncertainty, a warm body that belonged to someone she both knew and didn’t know. She’d thought of waking Holly and asking her just to kiss her, once, but she was too afraid that Holly would be annoyed, that she wouldn’t understand her need, and so she just lay there with her face close to the back of her neck and kissed Holly lightly along the spine, as though Holly’s vertebrae were her lips, as though she were kissing back.
             What she had really wanted was for Holly to say her name, there in the night, in that other new place that was completely Holly’s and not Ariel’s at all. She wanted that now as well, to hear her name spoken in the dark, against the dark. She wanted Holly to say it, but since she was not there, she decided to say it herself. Yet instead, she ended up saying her girlfriend’s name, “Holly,” as though she were there, as though she were awakening her.
             The clock ticked on, sounding now as though it were the snoring breath of someone asleep. It was not laughing at her and it was not out to get her, it was simply trudging through the days and nights, doing what it did, moving its hands in a mechanical motion it did not even understand. But wasn’t that what she feared most about the future, not the being alone, but the passing of her life mechanically and unaware?
              ‘Holly,’ she said again, as though she were trying to wake her from a giant dream, a sleep that she had endured for years. ‘Wake up,’ she pleaded, and began to cry.
             It was a comfort to hear a human voice in the still lake of the night, and she cried for a while before returning to the silence.
             It was not long after that she fell asleep.                          AQ

LindaAnn LoSchiavo – The Obituarist Contemplates the Death Desk’s Demands

LindaAnn LoSchiavo
The Obituarist Contemplates the Death Desk’s Demands

Where was he when he died?’ Blunt questions are
My job, my stock in trade. Before they reach
The crematorium, I’d better know.

For years, I’ve manned the death desk avidly.
And, literally, my day starts off cold,
Not drinking coffee, phoning Mom or Dad.

Instead I ask, ‘Who’s dead?’ Notorious,
Imprisoned, Oscar-winning—that’s the cream.
Untimely dying, homicide combined
With scandals—editors think that’s sublime.

Word counts come next. Regardless of esteem,
Opinions loosely held of the deceased,
Please be assured all lives will measure best
In column inches: your newsworthiness.

You often hear folks say, ‘He cheated death!’
Celebrities get short-changed, too, when fame
Collides with the fatalities of fate.
What’s worse than being upstaged at the end?

Ask Farrah Fawcett. She passed on the day
That Michael Jackson’s shocking end held sway.
Or the demise of Groucho Marx, just when
The nation mourned for Elvis Presley, cut
Down in his prime at 42-years-old.
Or C. S. Lewis, dying unremarked
When JFK was assassinated.

Coincidences help make death unfair.

I write obituaries though I dread
Such masterpieces are not credited.
Yet satisfaction is not limited,
For after death, you will be edited.